Interview · · 5 min read

Interview: Aleyna Erkoc Atesli on Minimal Realism, Healing and Building a Visual Language

Highlights from Aleyna's in-depth interview with Skin Artists: from deciding to tattoo as a teenager in Turkey to fine-line technique, cover-ups and building a career in the United States.

Portrait of tattoo artist Aleyna Erkoc Atesli crouching in a cream satin blouse and black patterned tights

In March 2026 the tattoo platform Skin Artists published a long-form interview with Aleyna, conducted by Ivana Kancheska. Across more than twenty questions she talks about where her style comes from, how she works, and why she brought her career to the United States. Here are the ideas that stood out. The full conversation is linked below.

A decision made early

Aleyna has drawn for as long as she can remember, and she decided to become a tattoo artist at around fourteen or fifteen. She went on to study graphic design, which gave her the tools she still relies on: composition, balance and visual storytelling. Early in her career in Turkey, being a young woman in the industry brought its own obstacles, but over time the work itself became the thing people noticed.

Minimal realism meets graphic design

She describes her style as a blend of minimal realism and graphic design, built on detail, contrast and strong composition inside a small space. Classical references meet modern graphic elements, often with a quiet surreal touch that makes familiar images feel unexpected. Depending on the mood of a piece she works in soft gradients, stippled dotwork, or a mix of both.

Designing for how skin heals

For Aleyna, the responsibility of permanent art is as much about patience as creativity. Fine-line work lives within millimeters, so needle control, pressure and pacing matter as much as the drawing. She designs every piece on a tablet so she can adjust the composition and test placement with the client, and over the past few years her work has become simpler in composition but stronger in impact, with more attention to how detail holds up once healed.

Working with clients

When a client arrives with only a vague idea, she develops it with them and shapes it to the anatomy of the placement. With cover-ups, she prefers to work the old tattoo into the new design rather than simply burying it. And her measure of a good session is simple:

“when a client looks in the mirror and genuinely smiles”
Aleyna Erkoc Atesli, to Skin Artists

Why the United States

Aleyna moved to the US looking for a larger, more diverse tattoo scene and an international creative challenge. She notes that tattoos are accepted more widely across American society, and that her mix of European aesthetics, graphic design and subtle surrealism gives her a distinct voice here. Invite-only conventions have been central to that growth, both for showing her work and for building a network of artists around the world.

Looking ahead

Her plans for the next five years are to keep refining her style, reach a wider international audience and take on larger artistic collaborations. Her advice to new artists is patience, consistent practice and never stopping drawing. You can see where that practice has led in the portfolio and in her competition results.

Sources

  1. Skin Artists: Interview with Aleyna Erkoc Atesli, by Ivana Kancheska (March 31, 2026)

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